Lauren Pritchard, the final video in a series of four that I produced for MADtv last fall. Enjoy!
Video 4/4
Written by Lauren Pritchard
Directed by Sean Flannery
Produced by Adam Reynolds
Welcome...
Showing posts with label MADtv. Show all posts
Showing posts with label MADtv. Show all posts
March 19, 2009
March 13, 2009
Introducing MADtv's Matt Braunger
Continuing my weekly tradition, I present to you, Matt Braunger.
Video 3/4.
Written by Matt Braunger
Directed by Sean Flannery
Produced by Adam Reynolds
Video 3/4.
Written by Matt Braunger
Directed by Sean Flannery
Produced by Adam Reynolds
Labels:
Adam Reynolds,
BHB,
Boardhead Brothers,
Comedy,
MADtv,
Matt Braunger,
Sean Flannery
March 6, 2009
Introducing MADtv's Erica Ash
Erica Ash is the second video in the series of four that I produced for MADtv. Enjoy!
Video 2/4.
Written by Erica Ash
Directed by Sean Flannery
Produced by Adam Reynolds
Video 2/4.
Written by Erica Ash
Directed by Sean Flannery
Produced by Adam Reynolds
Labels:
Adam Reynolds,
BHB,
Boardhead Brothers,
Comedy,
Erica Ash,
MADtv,
Sean Flannery
February 27, 2009
Introducing MADtv's Eric Price
Back in August, I had the exclusive privilege of working with MADtv's newest cast members to create "Introductory Videos." Eric Price is the first video in the series of four. Enjoy!
Video 1/4
Written by Eric Price
Directed by Sean Flannery
Produced by Adam Reynolds
Video 1/4
Written by Eric Price
Directed by Sean Flannery
Produced by Adam Reynolds
Labels:
Adam Reynolds,
BHB,
Boardhead Brothers,
Comedy,
Eric Price,
MADtv,
Sean Flannery
January 30, 2009
Novelistic Lattitude in TV and Film
A friend of mine recently sent me the link to a Variety article addressing the evolution of character/story arc in both TV and Film. The final verdict; TV shows, rather than films, provide a stronger foundation for believable character development and elaborate story arcs. While I believe this argument to be true, one must take into account relativity, or the context in which TV shows and movies are developed. Not all TV shows exercise the option for elongated story arcs, simply because the show's premise doesn't fit to the mold. For example, a sketch comedy show like MADtv doesn't have grandeur story arcs, but shows like The Wire, Lost and Mad Men take full advantage of the "novelistic latitude."
The same relativity holds true for film. Movies such as Date Movie or Disaster Movie have minimal character depth, while on the other hand, films like Lost in Translation or American Beauty offer stronger, more developed story arcs and character revelation. In other words, as with TV, a film's substance is largely dependent upon any number of factors, but predominantly the Writer's voice. This being stated, film (typically with a 90-120 minute time limitation) can only accomplish so much, where as a full season of TV (anywhere from 12-24 hours) offers greater latitude for development.
The original Variety article can be found here.
The same relativity holds true for film. Movies such as Date Movie or Disaster Movie have minimal character depth, while on the other hand, films like Lost in Translation or American Beauty offer stronger, more developed story arcs and character revelation. In other words, as with TV, a film's substance is largely dependent upon any number of factors, but predominantly the Writer's voice. This being stated, film (typically with a 90-120 minute time limitation) can only accomplish so much, where as a full season of TV (anywhere from 12-24 hours) offers greater latitude for development.
The original Variety article can be found here.
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